Padmaavat (2018) Review Published at Asian Movie Pulse

A lot has been made about Sanjay Leela Bhansali’s adaptation of Sufi poet Malik Muhammad Jayasi’s epic poem “Padmavat” (1540). Even before its release, the film had been mired in controversy due to rumors regarding tampering with Rajput (an Indian community historically known for their valor and honor) history and a prominent figure, Rani Padmini, in their lore. From vandalism on set and threats to the actors and Bhansali himself by right-wing groups to the eventual delay in its release (it was supposed to release on December 1, 2017), “Padmaavat” has been through a lot of trouble (it even lost the ‘i’ from its title). All of this trouble with an extremist right-wing group gave an impression that probably the film could build a counter-narrative against the glorification of ‘jauhar’ (self-immolation Rajput women used to perform in order to save their honor from victorious enemies) in Rajput lore. But alas! It was too much to expect from Bhansali. [Read the full article here]

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